Yet, what is this book? 45 (50 next year), director tudatfejlődésről expressz year. 45 (50 next yea

Eugenio Barba and the Odin Teatret. When you hear these two names in the performing arts also experienced some people go straight to the theater history (both ideas and lexicon) comes to mind. Barba and the actors are still alive and, in fact, we are more active, but what is even more decisive: expressz apply (? Peers or - to say that the people). To be around is always a special feeling to contribute to the Nimbus also have their individual charms, the technical knowledge, but that little tradition, which themselves include built up, causing the man's soul begins to soar, and with confidence, brightness and gives me hope again everything that is related to this concept: Theater.
I felt this when I visited Denmark in 2011 his place ten days, so it was a year earlier in Sibiu and Cluj last fall (!). And I think Barba's latest book, Casa în flăcări - Despre regie şi dramaturgy (burn down the house - settlement and dramaturgiáról - Ed.), As well as means of sexual Publishers in 2012, Diana Cozma translation (original release: On directing . dramaturgy and burning the house; Routledge, 2010). expressz
What is the book about? As the title indicates, settlement and dramaturgiáról, though, who look for system-picked director dramatic outline of the methodology expressz it would be difficult to do. This book is exactly the same, but more than that, but less well, that is all at once, at one time, and there is no contradiction in this. It's expressz like the Odin Teatret expressz a lecture: more story, manifested more in a simultaneous expressz stage, once one thread is deliberately foreground, sometimes the other, sometimes the viewer is again left to choose which member pays attention, but eventually the show always puts the viewer with you: I have no comment, no experience, no idea - just your own. Barba says that this kontiguitást only the theater can create, and you're right: you can not write the same words and the same time something is something else entirely, but I feel it is somewhat successful. Ring back now in one sentence: "How to tell a story, you do not know me, while telling another one?"
Yet, what is this book? 45 (50 next year), director tudatfejlődésről expressz year. 45 (50 next year) year tudatfejlődésről theater. And 45/50 actor's expressz development. The development of the craft, the master (human) nagging desire to master the details of secrets to exile, which in turn are driven ... him. The snake biting expressz its own tail.
That can be somewhat expressz technical: a prologue and an epilogue expressz (plus envo) will contribute an interlude featuring text and four that make up the corpus of books (here is my review on my form). expressz The outlining of text (called "the empty ritual") three Subpart condenses the contents of the book: firstly lists the word groups that include Barba craft terminology (such as rebellion, Kraft, energy, spring wound, crafts) and whose elaborálása later Barba reveals his thoughts on theater-acting processes, esszenciájáról theater, a subsection of the second italicized text, which in its origin (for example, a Nazi officer's son) confronts himself and us, and finally it presents special dramaturgiákat the performance level of the organization: organic, and evocative narrative. The first three intermezzo expressz primarily discusses these and the fourth contains one, over the years totality collected director's notebook, and a closure to that part of Barba why I was born this (written in all between 1994 and 2008) Book: looking expressz for origins, and not the past, but the future to explore this view. And here we get to the wound.
The wound is often a source of creative way is what causes the vulnerability, but also szükségletünké. You reject expressz a call, questioned, or simply álldogálhatunk near: "This wound needs acted as an impulse to stay close to the boy, who was, and whom the time removed, belökve me in a constantly expressz changing world." This book is very close to walk Barba wounds. There are no other books or reference their own lives (Theatrical anthropological dictionary, Paper Canoe), and, if so, the form will appear as objective as possible expressz (Teatru; singurătate, meşteşug, Revolta). However, this paper interweaves autobiography expressz written in italics, which is still connected to the previous section on the master unit, but it leads to the next, also made solo, yet remain independent - I meant it to be both able to report something and something else. And more, the most personal autobiography: it appear youthful love of his father's death, the relationship with her mother, roadside hitchhiking expressz to Norway on a rainy day in the German bone-deep cold. Far from sentimental (it is not characterized by Barba), though - or perhaps because of this - the man melt. Sort of true to the style of writing and a lot of meth